Workshops

Dialogue: The Mechanics of

with Tim Wynne-Jones

Saturday, April 21, 2018
9:00 a.m. to 12:00 noon
Algonquin College, Woodroffe Campus, Room J208

Cost, payable by cash, cheque or e-transfer:
$50 for members of the Canadian Authors Association
$65 for non-members

Register by sending a message to NCRadmin@canadianauthors.org

 

There are, simply stated, two kinds of narrative at work in a novel: scene and summary. It is in scene-work that the reader is closest to the action. The camera can dolly in tight on the characters, close enough to pick up every word and grumble, every shudder and wink. That’s where we come to really know the characters by what they do and, in dialogue, by what they say. But when we use the term dialogue, we can’t really divorce it from the “connective tissue” of a scene. Because we need to see the scene not simply hear it. This is how we account for the time in which a scene takes place. And that is the most important difference between scene and summary: a scene takes place in real time – time the writer must account for.

In this workshop, we will look at what makes a scene tick. And at the heart of that is dialogue. Dialogue’s chief job is to reveal character.

CAA Fred Kerner Book Award

Ahmad Danny Ramadan
THE CLOTHESLINE SWING, Nightwood Editions
Ahmad Danny Ramadan is a Syrian-Canadian author, public speaker, storyteller and an LGBTQ-refugee activist. His debut novel, The Clothesline Swing, won Independent Publisher Book Award for Gay/Lesbian/Bi/Trans Fiction, was named among the Best Books of 2017 by the Globe and Mail and Toronto Star. It was longlisted for Canada Reads 2018 and shortlisted for the Evergreen Award 2018.

About the Award
The Fred Kerner Book Award is awarded annually to a Canadian Authors member who has the best overall book published in the previous calendar year.
Fred Kerner was a devoted and longtime CAA member. An Honorary President of the association until his passing in 2011 at 90, Fred was an author, journalist, editor, teacher, and mentor. He wrote more than twelve books and also wrote for magazines, radio and TV, and he gave unstintingly of his time to assist emerging writers.